peter westwood
Education
| PhD Candidate, Victorian College of the Arts, Melbourne |
Master of Arts, Research, Monash University 1995. |
Exhibition project; accompanying artist publication |
Graduate Diploma in Education, University of Melbourne 1982 |
Graduate Diploma of Fine Art, RMIT University 1981 |
Folio and minor thesis. Thesis: Utopia, Constructivist theories: Alexandr Rodchenko and Vladimir Mayakovsky. |
Diploma of Fine Art, University of Ballarat 1976 |
Solo Exhibitions
| 2009 |
48 Portraits, Jenny Port Gallery, Melbourne |
| 2006 |
Hard Times, (collaboration with writer Janet Drake), The Doll’s House, Melbourne |
| 2004 |
Similarities and differences, Crossley and Scott Gallery, Melbourne |
| 2003 |
Shape, Crossley and Scott Gallery, Melbourne |
| 1996 |
Things that have happened, Temple Studio, Melbourne |
| 1995 |
Fruit of the forest, School of Art, Monash University, Melbourne |
| 1992 |
Bandwagons, Powell Street Gallery, Melbourne |
| 1991 |
Untitled, Powell Street Gallery, Melbourne |
| 1989 |
Assemblages, Reconnaissance Gallery, Melbourne |
| 1988 |
Paintings, Reconnaissance Gallery, Melbourne |
| 1986 |
Drawings, Reconnaissance Gallery, Melbourne |
SELECTED Group Exhibitions
| 2010 |
Unilateralism, curator Song Kexi. 99space, Fine Arts College of Shanghai University Creative Centre Moganshan Lu Arts Complex, Shanghai, PR China |
| 2009-10 |
The Shilo Project, curator Dr Chris McAuliffe The Ian Potter Museum of Art, the University of Melbourne, NETS touring exhibition: Mildura Arts Centre, SH Ervin Gallery, Sydney, Warrnambool Art Gallery, Wangaratta Exhibitions Gallery, Gippsland Art Gallery. |
| 2009 |
Imagine, Ballarat Fine Art Gallery, Ballarat |
| 2008 |
The Mars Project, Project Space and Spare Room Gallery, RMIT University |
| 2007 |
Eye to "I" - the self in recent art, Ballarat Fine Art Gallery, Ballarat |
| 2006 |
Robert Jacks Drawing Prize, Bendigo Regional Gallery |
| 2003 |
The men’s gallery, (curator, Rebecca Mayo), The Doll’s House, Melbourne |
| 2003 |
Group Show 2, Crossley and Scott Gallery, Melbourne, |
| 2002 |
Group Show, Crossley and Scott Gallery, Melbourne |
| 2001 |
31st Alice Prize, Araluen Arts Centre, Alice Springs |
| 2001 |
Mediations, (curator, David Harley), Mass Gallery, Melbourne |
| 1997 |
The Sulman Prize, Art Gallery of New South Wales, Sydney |
| 1996 |
Superstar, Billboard project funded by Arts Victoria, Melbourne |
| 1996 |
A Centre of Culture, Ballarat Fine Art Gallery, Ballarat |
| 1992 |
Scotchmans Hill Art Prize, Geelong Regional Gallery, Geelong |
| 1991 |
Painting, Powell Street Gallery, Melbourne |
| 1989 |
Decadence–10 years of 200 Gertrude Street, 200 Gertrude Street, Melbourne |
| 1987 |
The ICI contemporary exhibition (travelled regional galleries in Victoria and NSW) |
| 1989 |
Adelaide Festival, The Living Arts Centre, Adelaide |
| 1989 |
Reconnaissance, Launceston Community Arts Centre, Launceston |
| 1988 |
New Work, Reconnaissance Gallery, Melbourne |
| 1987 |
Young Australians, travelled State and regional galleries in Australia and the United States; inaugural exhibition at the National Gallery of Victoria, Melbourne |
| 1987 |
The Golden Shibboleth, 200 Gertrude Street, Melbourne |
| 1985 |
Acquisitions for the Michell Collection, Melbourne University Gallery, Melbourne |
| 1985 |
The McCaughey Prize, National Gallery of Victoria, Melbourne |
| 1983 |
The new art: works from the Michell Endowment, Banyul (NGV), Melbourne |
| 1982 |
Still life still lives, Visual Arts Board travelling exhibition (travelled regional galleries in Victoria and NSW; inaugural exhibition at the Ballarat Fine Art Gallery) |
| 1979 |
Michell Endowment, inaugural exhibition, National Gallery of Victoria, Melbourne |
| 1976 |
Some Recent Art of the Ballarat Region, Ballarat Fine Art Gallery, Ballarat |
bibliography
| 2010 |
Unilateralism, Song K., 99space, Fine Arts College of Shanghai University Creative Centre, |
| |
Moganshan Lu Arts Complex, Shanghai, PR China |
| 2007 |
Eye to "I" - the self in recent art, Wallace, G., Ballarat Fine Art Gallery, Ballarat |
| 2005 |
Rhapsody 21C, ch. (essay) Artist Curator Academic, Zahra, L., University of Tasmania Press |
| 1995 |
The Shell Collection of Contemporary Australian Art, Lindsay, R., Shell Company of Australia Ltd |
| 1989 |
ICI Contemporary Exhibition, Lindsay, R., ICI Australia Ltd |
| 1987 |
The Golden Shibboleth, Lindsay, R., Gertrude Street Contemporary Art Spaces |
| 1987 |
Young Australians, Lindsay, R., Budget Transport Collection |
| 1979 |
Still Life Still Lives, Radford, R., Ballarat Fine Art Gallery |
| 1976 |
Some Recent Art of the Ballarat Region, Radford, R., Ballarat Fine Art Gallery |
Collections
| |
The Ian Potter Centre: NGV Australia, Melbourne: Shell Collection; Michelle Endowment; Prints and Drawing Collection |
Ballarat Fine Art Gallery, Ballarat: Painting Collection; Prints and Drawing Collection |
Wollongong City Gallery, Wollongong |
Auckland Art Gallery / Toi O Tamaki |
Victoria University, Melbourne |
Geelong Art Gallery, Geelong |
Art Bank, Sydney |
Private collections (Australia, U.K., France, Germany, New Zealand and China) |
CURATORIAL EXPERIENCE
1995 – 2004, Director, Project Space and Spare Room Gallery – School of Art, RMIT University. |
1992 – 1993, Curatorial assistant, Monash University Post Graduate Studios and Exhibition Space, Faculty of Art and Design, Monash University. |
RECENT CURATORIAL PROJECTS AND EXHIBITION TEXT
| 2008 Things that remain |
| Curatorial project, installation and catalogue text. Works by Steve Cox, Jess Crowe, Julia Powles, Greg Pryor and Leonie Zylberberg, Jenny Port Gallery, Melbourne. |
2008 The World in Painting, |
| Curatorial advisor and contributing writer to the catalogue essay discussing the work of Lê Quôc Viêt (Vietnam) for the exhibition project The World in Painting, Heide Museum of Modern Art. Curator Zara Stanhope. Regional galleries traveling exhibition. |
2007 An obvious problem, |
Catalogue essay discussing the work of Jan Svenungsson (Sweden) and Katrin von Maltzahn (German) for the dual exhibition project A Place on Earth & Tracking and Jorge Luis Borges visited Melbourne for 10 days; School of Art Gallery. RMIT University, 2007 (http://www.projectspace.rmit.edu.au/) |
2006 The brain hand thing, |
Catalogue essay discussing the work of David Palliser for the exhibition Imagine…the creativity shaping our culture; Heidi Museum of Modern Art; curator Zara Stanhope. 2006 (http://www.davidpalliser.com/essay.html) |
2005 One another’s otherworld, |
Curatorial project installation and catalogue text, at the invitation of the French Cultural Centre, Melbourne. Featuring the works of Laetitia Bourget (France), Philippe Charles (France), Steve Cox, Sanné Mestrom, Dominic Redfern, Philip Samartzis, Ania Walwicz and Louiseann Zahra. Alliance Française de Melbourne (French Cultural Centre), 2005 |
2005 Various Presence: the human spaces in new technology, |
Curatorial project, installation and catalogue text, Shanghai International Science and Art Exposition, China, 2005. Featuring the works of Mark Burry, Martine Corompt, Ho Sui Kee, Nicole Jaquard, Lyndall Jones, Dominic Redfern, Philip Samartzis, Daniel Von Sturmer, Christian Bumbarra Thompson, Jason Wade, Yandell Walton. 2005 |
2004 Siblings, |
Two curatorial projects with accompanying catalogue text titled Similarities and differences. Featuring the work of Loretta Quinn and Paul Quinn, Fiona Mc Monagle, and Tim McMonagle, Project Space and Spare Room, RMIT University, 2004 |
2004 Beyond horizons / Horisonttien takana |
Curatorial project / installation of the work of environmental artist Markku Hakuri (Finland). Faculty Gallery, RMIT University, Melbourne, 2004 |
2004 The Drawing Room, |
Curatorial project and catalogue text, titled Insideout, accompanying aninstallation work by John Kelly. Project Space and Spare Room, RMIT University, Melbourne, 2004 |
2003 Benjamin Armstrong and Katherine Huang, |
Curatorial project and exhibition text (text drawing / poster). Works by Benjamin Armstrong and Katherine Huang. Project Space and Spare Room, RMIT University, 2003 |
2002 Crossing: New Art from Australia, |
Curatorial project with catalogue essay. Works by Adam Bunny, Linda Erceg, Fiona Foley, Peter Graham, Katherine Huang, Dianne Jones, Tim McMonagle, Vera Möller, David Noonan and Simon Trevaks, and Christian Bumbarra Thompson. Lume Gallery, UIAH (University of Art and Design), Helsinki, Finland, 2002 |
2002 David Potter, |
(first posthumous exhibition), |
Curatorial project and catalogue essay, Project Space and Spare Room, RMIT University, 2002 |
2001 Berenice’s Hair / Bereniken Hiukset, |
Exhibition catalogue with curator Leena Lohiniva. Rovaniemi Museum, Finland and Project Space and Spare Room, RMIT University, Melbourne, 2001 |
2000 Seen something more, |
Curatorial project and catalogue essay. |
Works by Tim McMonagle and David Palliser. Project Space and Spare Room, RMIT University, Melbourne, 2000 |
1999 rubik 10 – are you experienced, |
Catalogue essay discussing the work of Tim McMonagle. The Physics Room, Christchurch New Zealand p. 16, 1999 |
1999 The trouble with Harry, |
Curatorial project and catalogue essay. Works by Judith Duquemin, Diena Georgetti and Daniel Noonan. Project Space and Spare Room, RMIT University, Melbourne, 1999 |
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