mary lou pavlovic
Education
| 1989 |
B.A. Painting Canberra Institute of Art |
| 1996 |
M.A. Fine Arts, Goldsmiths College, University of London |
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Solo Exhibitions
2008 |
Philistine Jenny Port Gallery, Melbourne |
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Conny Dietzschold Gallery Sydney |
2007 |
Julie Panini Performs (Performancefor "This Crazy Love' opening night) Linden Art Gallery Melbourne |
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Terms of Endearment at Rules of Engagement outside Westspace Melbourne |
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Fab Art Darling xx Celebration Exhibition and Mailout Counterpoint Melbourne |
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PavModern is Added Value Australian Art Collector Magazine 50 Most Collectable Artists Issue Jan 2007 |
2006 |
The Banner Project Public Art Project Melbourne
Let the Protests Begin: PavModern, Art Museums and the Games
Poster project outside Ian Potter Museum of Art, Melbourne |
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Sky Writing Project over National Gallery Victoria |
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Performance outside Australian Centre for Contemporary Art |
2005 |
AFL Grand Final Sky Writing Project, Melbourne Cricket Ground Melbourne
Mary Lou Mini POL Oxygen Magazine and Mini Project for Sydney
Esquisse Art and Design Festival, Sydney and Federation Square, Melbourne |
2004 |
Art Only on Sundays Event Season Australian Centre for Photography Sydney
Liar!, Public Art Project, Melbourne |
2003 |
I Want To Play With Boys, Niagara Galleries, Melbourne |
2002 |
Identity, Conny Dietzschold Gallery, Sydney |
2001 |
The Briefcase, Simon Barney, Sydney |
2000 |
Sweet Anarchy, The Australian Embassy, Tokyo.
Small Works for Small People, Talk Artists Initiative, Melbourne |
1999 |
Small Works for Small People, Room 35, Gitte Weise, Sydney |
1998 |
Throw Brother from the Train, Centre for Contemporary Photography, Melbourne |
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New Videos, Artspace, Sydney |
1992 |
Recent Work, Linden Gallery, Melbourne
Recent Work, Room Four Gallery, Melbourne |
1991 |
Untitled Installation, Royal Academy of Art, London |
1989 |
Mixing Dust, Canberra Theatre, ACT |
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| TWO PERSON EXHIBITIONS |
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2002 |
Installations, with Nike Savass, Conny Dietzschold Gallery, Cologne |
1998 |
Internationale Photoszene ’98, with Tracey Moffat, Die Weisse Galerie, Cologne
Mary Mary Quite Contrary, with Mary Anne Francis, Gasworks Gallery, London |
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Selected Group Exhibitions
2007 |
Eye to I Ballarat Fine Art Gallery VIC and touring |
2006 |
Recent Aquisitions City of Port Phillip Linden Gallery VIC |
2005 |
Material Boys and Girls, Deloitte Offices Sydney |
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The Shangri-La Collective, Green Papaya Art Centre, The Phillipines |
2004 |
Woollahra Small Sculpture Prize, Woollahra Municipal Council, Sydney |
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Imaging the Apple, Ballarat Fine Art Gallery, Victoria and touring |
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New Works Hazelhurst Regional Gallery NSW |
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Southside Art, Deputy Premier John Thwaites Office, Melbourne |
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The Shangri La Collective, Institute of Modern Art, Brisbane
ABN Amro Emerging Artists Award, ABN Amro Tower, Sydney |
2003 |
Art Cologne Conny Dietzschold Gallery Sydney, Cologne
Six Australian Artists Conny Dietzschold Gallery Cologne
La Trobe University Collection, La Trobe University VIC |
2002 |
Melbourne Art Fair 2002, Conny Dietzschold Gallery |
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Sculptures, Objects, Installations, 12 Galleries Sculpture Exhibition, |
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Conny Dietzschold Gallery, Sydney
Sculpture, 12 Galleries Sculpture Exhibition, Campbelltown City
Bicentennial Art Gallery, NSW |
2001 |
Fallout, Victorian College of the Arts Gallery, Melbourne
The Multiple Box, Sydney |
2000 |
Melbourne Art Fair 2000, Conny Dietzschold Gallery
The Retrieved Object, curated by Elizabeth Gower, Linden Gallery, Melbourne
Threads of Humanity, Wollongong City Gallery, NSW |
1999 |
Sci Art ’99, Multimedia Art Asia Pacific Festival, Queensland Sciencentre, Brisbane |
1998 |
Family Credit, Edinburgh Festival Exhibition, Collective Gallery, Edinburgh |
1998 |
Pandemonium, British Showcase of Contemporary Video Art, LUX Cinema, London Electronic Arts Gallery, UK
Surveillance, Artspace, Sydney |
1997 |
Internationale Photoszene ’97, Die Weisse Galerie, Cologne |
1996 |
MA Degree Show, Goldsmiths College, London
Perseverance Works, Charity House, London |
1991 |
Discrete Entity, Canberra Institute of the Arts, ACT |
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Publications
Geoff Wallis, Exhibition Catalogue, Eye to I Ballarat Fine Art Gallery 2007 |
Mary Anne Francis, The Banner Project Eyeline winter 2007 |
Richard Tipping SkyWriting Artlink volume 27 no.1 2007 |
Gabriella Coslovic "Is there a Fine Art to Sportmanship?" |
The Age, P.19 Fri 23rd Feb 2007 |
Virginia Baxter, 'Acting Up - Mary Lou Pavlovic' Realtime no. 77 feb - march 2007 |
St Kilda's Disenfranchised Speak Up Artshub Friday Oct.6 2006 |
Megan Backhouse, Protest Art The Age 29 Jan 2006 |
PavModern to Protest Games Artshub Wed 25th January 2006 |
Sam Edmonds, Message for MCG Fans Melbourne Herald Sun 22 Sep 2005 |
Alison Barclay, Mary Lou’s Car of Mini Colours, Melbourne Herald Sun, 13th June 2005 |
Inge Gilchrist, Spot the Mini behind the Dotting Artist, MX 10th June 2005 |
Going Dotty – Metro The Age 21 June 2005 |
Mary Lou Pavlovic, ‘Hmmmm, Morality, Money, Metonymy, Metaphor,’ Contemporary Broadsheet, Vol 34, No.1 2005 |
Ted Colless, ‘Institutional Censorship, Romance and Money’, Contemporary Broadsheet, Vol. 33 No. 3, September – November 2004 |
Ian Findlay 'Anxieties of the Unknown' World Sculpture News (and cover) Volume 10 No.4 Autumn 2004 |
Katrina Strickland, ‘Graphic art confronts footy’, The Australian, 15 September 2004 |
Rita Dimasi, ‘Liar, liar: Art on fire’, Arts Hub Australia, 17 September 2004 |
‘No more need to think’, Artlink, Vol. 24 No. 2 2004 |
Karen Murphy, ‘Yes my work is tough,’ Melbourne Times, Issue14, 14 April 2004 |
Larissa Dubecki, ‘Deputy Premier’s Staff Too Squeamish for Art Depicting Disability’, The Age, 7 April 2004 |
Megan Backhouse, ‘Jake Chapman for PavModern’, The Age,13 March 2004 |
Sophie Forbat, ‘The Chapman Brothers’, Artlink, Vol 24 No. 1 2004 |
John Neeson, Imaging the Apple, exhibition catalogue, 2004 |
Jan Mackey, ‘POL Free CD’ POL Oxygen, Issue 61, January 2004 |
Tim Elliott, ‘Portrait of the Artist as a Pissed Off Young Woman,’ The Big Issue, 14 December 2003 |
Tim Elliott, ‘Mary Mary Quite Contrary’, The South China Morning Post, 13 August 2003 |
Joanna Mendelsson, ‘The Shangri-La Collective’, COFA Artwrite June 2003 |
Rachelle Unreich, ‘Niagara’s big splash’, Herald Sun, 12 July 2003 |
Megan Backhouse, ‘Exploring the artist-as-celebrity’, The Age, 5 July 2003 |
Tim Elliot, ‘Mary Quite Contrary’, Not Only Black & White, Issue No. 67, July 2003 |
Matthew Collings, ‘All the fun of the fair’, Australian Art Review, Issue No. 1, March – June 2003 |
Georgina Safe, ‘Brats of Brit Art to Talk it Up’, The Australian, 22 April 2003 |
Mary Lou Pavlovic, ‘Fallout,’ Artlink,Volume 23, Issue No.1, 2003 |
Jan Mackey, ‘Pav Prospects’, POL OXYGEN, Issue No. 59, April – May 2003 |
Susan McCulloch, ‘Contemporary Challenge for Critics’, The Australian, 17 Jan 2003 |
Mary Lou Pavlovic, ‘PavModern’, catalogue essay, Unsigned Artists 2003, Niagara Galleries, Melbourne |
Michael Hutak, ‘Strictly Modern’, The Bulletin, 22 October 2002 |
Matthew Collings and Mary Lou Pavlovic, ‘The Solemn and the Trivial versus |
the Serious and the Playful’, Australian Tour Catalogue, 2002 |
Samantha Semmens, ‘Matthew Collings comes to Town’, Artlink, Vol 22, Issue No. 3, 2002 |
Juliet Herd, ‘Trivial Pursuits’, Australian Review, Weekend Australian, 21 Sep 2002 |
Samantha Semmens, ‘Fallout’, Eyeline Magazine, March 2002 |
Chris Chapman ‘Border Zones’, Artlink, Vol 22, Issue No. 2, 2002 |
Victoria Heinz, ‘Cover Me’, Sydney Morning Herald, 22 February 2002 |
Lenny Anne Lowe, ‘Identity’, Sydney Morning Herald, 16 February 2002 |
Victoria Heinz, ‘12 Galleries’, Sydney Morning Herald, 1 February 2002 |
Alison Barclay, ‘Fallout Tests Rights’, Melbourne Herald Sun, 17 December 2001 |
Carla Danaher, ‘Art is Sweetly Executed’, MX, 14 December 2001 |
Mary Lou Pavlovic, ‘Censorship Wars’, Letter to the Editor, Real Time 46, December 2001 |
Jennifer Purvis, ‘Sweet and Sour Sauce’, Eat Magazine, Issue No. 3, 2001 |
Von Heidrun Wirth, ‘Bombenkunst mit Liebesperlen’, Kolnische Rundschau, 26 May 2000 |
‘The Retrieved Object’, (exhibition catalogue), Linden Gallery, Melbourne, 2000 |
Sebastian Smee, ‘Spinning It’, Sydney Morning Herald, 15 June 1999 |
Sandra Bridie, ‘Conversation with Mary Lou Pavlovic’, Talk, Issue No. 64, 1999 |
Greg Hooper, ‘It’s the Fridge Calling’, Real Time, Volume 2, Asia Pacific Triennial Special Edition, 1999 |
Andrew Murphie, ‘Nothing Personal’, (exhibition catalogue), Artspace, Sydney, 1998 |
Martin Herbert, ‘Perseverance Works’, Time Out London, Issue No. 1345, 29 May – 5 June 1996 |
Vickie Guerroro, ‘Art by the Bucket Load’, TNT London, Issue No. 664, 20 May 1996 |
Andrew Murphie, ‘Mary Lou Pavlovic’s Recent Work at Linden’, Eyeline Magazine, Issue No. 21, Summer 1993 |
Mary Eagle, ‘Discrete Entity’, Art and Text, Issue No. 41, January 1992 |
Jason Romney, ‘Pails of Anguish’, Melbourne Herald Sun, 21 May 1992 |
Anne McDonald, ‘Discrete Entity’, Agenda, Issue No. 13, 1992
Chris Chapman, ‘Discrete Entity’, Eyeline Magazine, Issue No. 17, Summer 1991 |
Awards
2006 |
Port Phillip Cultural Development Grant |
2005 |
Australia Business Arts Foundation for AFL Grand Final Sky Writing |
2004 |
British Council, for Pavmodern
Reichstein Foundation, for Liar! Public art project
Australia Business Art Foundation, for Liar! Public art project |
2002 |
British Council Grant, for Matthew Collings Australian Tour
Department of Foreign Affairs and Trade, Cultural Awards Scheme
Victorian College of the Arts Teaching and Learning Initiative |
2000 |
Victorian College of the Arts Research Grant |
1997 |
Australian Embassy Bonn Cultural Grant |
Collections
City of Port Phillip Collection |
La Trobe University Collection |
Hobbs Collection, Australia |
Sidler Collection, Australia |
Vierhig Fluxus Collection, Cologne |
Johnnie Walker Collection, Tokyo |
Private Collections, Australia and New Zealand |
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